by Natalie Jenner
Women's Fiction, Historical, England, WWII | Published: 2022 | Goodreads
Instagram: #bloomsburygirls @authornataliejenner @stmartinspress
Bloomsbury Books is an old-fashioned new and rare book store that has persisted and resisted change for a hundred years, run by men and guided by the general manager's unbreakable fifty-one rules. But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans:
Vivien Lowry: Single since her aristocratic fiance was killed in action during World War II, the brilliant and stylish Vivien has a long list of grievances - most of them well justified and the biggest of which is Alec McDonough, the Head of Fiction.
Grace Perkins: Married with two sons, she's been working to support the family following her husband's breakdown in the aftermath of the war. Torn between duty to her family and dreams of her own.
Evie Stone: In the first class of female students from Cambridge permitted to earn a degree, Evie was denied an academic position in favor of her less accomplished male rival. Now she's working at Bloomsbury Books while she plans to remake her own future.
As they interact with various literary figures of the time - Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others - these three women with their complex web of relationships, goals and dreams are all working to plot out a future that is richer and more rewarding than anything society will allow.
Excerpt: from Chapter Two of Bloomsbury Girls by Natalie Jenner
The Tyrant was Alec McDonough, a bachelor in his early thirties who ran the New Books, Fiction & Art Department on the ground floor of Bloomsbury Books. He had read literature and fine art at the University of Bristol and been planning on a career in something big—Vivien accused him of wanting to run a small colony—when the war had intervened. Following his honourable discharge in 1945, Alec had joined the shop on the exact same day as Vivien. “By an hour ahead. Like a dominant twin,” she would quip whenever Alec was rewarded with anything first.
From the start Alec and Vivien were rivals, and not just for increasing control of the fiction floor. Every editor that wandered in, every literary guest speaker, was a chance for them to have access to the powers that be in the publishing industry. As two secretly aspiring writers, they had each come to London and taken the position at Bloomsbury Books for this reason. But they were also both savvy enough to know that the men in charge—from the rigid Mr. Dutton and then-head-of-fiction Graham Kingsley, to the restless Frank Allen and crusty Master Mariner Scott—were whom they first needed to please. Alec had a clear and distinct advantage when it came to that. Between the tales of wartime service, shared grammar schools, and past cricket-match victories, Vivien grew quickly dismayed at her own possibility for promotion.
Sure enough, within weeks Alec had quickly entrenched himself with both the long-standing general manager, Herbert Dutton, and his right-hand man, Frank Allen. By 1948, upon the retirement of Graham Kingsley, Alec had ascended to the post of head of fiction, and within the year had added new books and art to his oversight—an achievement which Vivien still referred to as the Annexation.
She had been first to call him the Tyrant; he called her nothing at all. Vivien’s issues with Alec ranged from the titles they stocked on the shelves, to his preference for booking events exclusively with male authors who had served in war. With her own degree in literature from Durham (Cambridge, her dream university, still refusing in 1941 to graduate women), Vivien had rigorously informed views on the types of books the fiction department should carry. Not surprisingly, Alec disputed these views.
“But he doesn’t even read women,” Vivien would bemoan to Grace, who would nod back in sympathy while trying to remember her grocery list before the bus journey home. “I mean, what—one Jane Austen on the shelves? No Katherine Mansfield. No Porter. I mean, I read that Salinger story in The New Yorker he keeps going on about: shell-shocked soldiers and children all over the place, and I don’t see what’s so masculine about that.”
Unlike Vivien, Grace did not have much time for personal reading, an irony her husband often pointed out. But Grace did not work at the shop for the books. She worked there because the bus journey into Bloomsbury took only twenty minutes, she could drop the children off at school on the way, and she could take the shop newspapers home at the end of the day. Grace had been the one to suggest that they also carry import magazines, in particular The New Yorker. Being so close to the British Museum and the theatre district, Bloomsbury Books received its share of wealthy American tourists. Grace was convinced that such touches from home would increase their time spent browsing, along with jazz music on the wireless by the front cash, one of many ideas that Mr. Dutton was still managing to resist.
Vivien and Alec had manned the ground floor of the shop together for over four years, circling each other within the front cash counter like wary lions inside a very small coliseum. The square, enclosed counter had been placed in the centre of the fiction department in an effort to contain an old electrical outlet box protruding from the floor. Mr. Dutton could not look at this eyesore without seeing a customer lawsuit for damages caused by accidental tripping. Upon his promotion to general manager in the 1930s, Dutton had immediately ordained that the front cash area be relocated and built around the box.
This configuration had turned out to be of great benefit to the staff. One could always spot a customer coming from any direction, prepare the appropriate response to expressions ranging from confused to hostile, and even catch the surreptitious slip of an unpurchased book into a handbag. Other bookshops had taken note of Bloomsbury Books’ ground-floor design and started refurbishing their own. The entire neighbourhood was, in this way, full of spies. Grace and Vivien were not the only two bookstore employees out and about, checking on other stores’ window displays. London was starting to boom again, after five long years of postwar rationing and recovery, and new bookshops were popping up all over. Bloomsbury was home to the British Museum, the University of London, and many famous authors past and present, including the prewar circle of Virginia Woolf, E. M. Forster, and Lytton Strachey. This made the district a particularly ideal location for readers, authors, and customers alike.
And so, it was here, on a lightly snowing day on the second of January, 1950, that a young Evie Stone arrived, Mr. Allen’s trading card in one pocket, and a one-way train ticket to London in the other.
* Excerpt courtesy of St. Martin’s Press, New York. Copyright © 2022 by Natalie Jenner. All rights reserved.
