by Jordan Locke
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Published: 2013
Publisher: CreateSpace Independent Publishing Platform
Genre: Dystopia, YA
Paperback: 268 pages
Rating: 5
Mary is stuck in Section One, living with three hundred women in a crumbling hospital. She wonders what life was like two centuries ago, before the Cleansing wiped out all the men. But the rules—the Matriarch’s senseless rules—prevent her from exploring the vacant city to find out.
Taylor’s got a dangerous secret: he’s a boy. His compound’s been destroyed, and he’s been relocated to Section One. Living under the Matriarch means giving up possessions, eating canned food and avoiding all physical contact. Baggy clothes hide his flat chest and skinny legs, but if anyone discovers what lies beneath, he’ll be exiled. Maybe even executed.
Mary’s never seen a boy—the Matriarch cut the pictures of men from the textbooks—and she doesn’t suspect Taylor’s secret. If she knew, she might understand the need to stop the girls from teasing him. If she knew, she might realize why she breaks the rules, just to be near him. Then again, she might be frightened to death of him.
Taylor should go. The Matriarch is watching his every move. But running means leaving Mary—and braving the land beyond the compound’s boundaries.
My two-bits:
Very engaging dystopia tale told in two voices. There are back and forth perspectives from main characters, Mary and Taylor which was effective in understanding the characters and their predicaments.
Got me thinking of the power of women and matriarchal societies.
Side note: I must admit, it was refreshing to read a story that was presented and resolved in one book rather than part of a trilogy or series.
Book excerpt:
From Taylor’s Point of View
The pit is dark and musty. Dirt walls line two sides, and bars surround the rest. Every so often, footsteps tap overhead, but other than that, silence.
No one told me how long I’ll be here. I think the rulebook says three weeks for fighting, but the Matriarch might have added destroying property. I touch my chin, and stubble prickles my fingers. Before long, the beard will be impossible to hide.
I should never have come to Section One. I could have run—disappeared—after the Earthers bombed my compound. Even when the Matriarch sent a carrier pigeon, I didn’t leave. I waited for someone to come. My hair was long, and I figured I could pass for a girl.
I should have realized it was a mistake.
I have no idea how long I’m here—maybe hours, maybe days—before a shaft of light shines across the room. Footsteps approach, hinges squeak, and metal slams shut. Someone is breathing in the cell next to mine. I imagine Katherine sitting inside. It could be weeks of only her and me. I’ll go insane. I crawl away, push my back against the cold wall.
A calm clear voice says, “Taylor?”
I let myself smile. It’s Mary.
From Mary’s Point of View
I hoped a new arrival—someone who hadn’t spent every day locked inside—might bring a sense of adventure, or at least have interesting stories. But Taylor doesn’t even want to talk to me. What a letdown.
After lunch, I go back to class. When I see who’s sitting at the desk next to mine, my face grows hot. It’s bad enough I have to suffer through another of the Matriarch’s lectures, but to have Taylor beside me the whole time, that’s going to be torture. I sit at my desk and face the front wall—painted black, with lines of chalk dust ground into the cracks.
Taylor speaks in a faint mumble. “Sorry.”
When I can no longer stop myself from looking, I turn my head. Taylor’s eyes catch mine. Blue eyes. Haunting eyes. I open my mouth to speak, to accept the apology, but can’t even breathe.
The Matriarch steps inside the room and flashes one of her fake smiles. “Taylor, would you come to the front of the class?”
The girls whisper as Taylor inches forward. Hanging above is an Emergency Room sign. A piece has broken off, and some of the letters have peeled away. Now, the sign reads EMERGE.
Praise for The Only Boy:
“It’s not a dystopia that does a good job—it’s a great book that happens to be a dystopia.”
--Rachel Miller, Editor
“This book is one of the best of its genre I have read, it kept me gripped to its satisfying end.”
--Janet Love, Amazon UK Reviewer
“If you like a different take on the dystopian genre then I would highly recommend this unique and amazing book.”
--Tamara Bass, The Avid Book Collector
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* after reading this book, I am reminded to continue reading Y: The Last Man by Brian K. Vaughan and Pia Guerra which is a dystopian science fiction comic book series with a similar premise in that the world is without males except for one man and his male pet monkey.
* review copy courtesy of book tour - check out the other stops here for more details on this book and goodies sponsored by I Am A Reader Not A Writer.